Hifi speakers

The Top B&W Hifi Speakers of all time

Well, in this article, we will not only answer that question, we will not only prove to you that Bowers and Wilkins produce some of the best HiFi speakers on the market, but we will also give you a list of the best B&W Hifi speakers of all time.

 Speaker enthusiasts and newbies would usually ask; are Bowers and Wilkins speakers good? Are Bowers and Wilkins worth the money?

When John Bowers established Bowers and Wilkins in 1966, he most likely didn’t expect his little speaker organization to develop to the size it is today, having had the impact it’s had over the worldwide hi-fi market.

It was unexpected as the organization pulled in the interest of a Silicon Valley upstart, which procured the business in 2016.

By and by, B&W still fabricates some of its most popular speakers at its headquarters in Sussex, England, where the organization was established.

Yet, saying this doesn’t imply that the organization has stopped, as this list testifies.

In this article, we’ve put together the best B&W HiFi speakers, bringing sound to our homes, parties, clubs, and offices.

Please read through this article carefully as we take you down the best of the Bowers and Wilkins world.

Top B&W Hifi Speakers of all time

B&W MM1 Computer Speakers

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We begin our list with a speaker, Bowers, and Wilkins, designed for computers.

PC Audio sounds pretty dated; however, the MM-1s was a fabulous pair of desktop speakers edging towards appropriate hello-fi.

At £399 (June 2010), these speakers weren’t modest. However, they conveyed a degree of sound nearly regardless of their size (simply 17cm tall) to legitimize their cost serenely.

Once more, B&W had turned its hand to something new and knocked it out of the park.


Pitched unfalteringly at the exceptional end of the desktop speaker market, the construct and finish are about what you’d expect at the cost, with no main switches or dials (the controls are covered on the focal metal band).

Frills are not many; spare the pebble-shaped remote control. Information astute, all you get is a 3.5mm jack and a USB input – which, to be completely forthright, is as much as you need.


MM-1s’ sound is totally in tune with their size. Melodic and with astonishing low-frequency push, they work superbly in isolating the individual instruments in thick chronicles, just as sticking stubbornly to detail when the music requests.

Put on a WAV of Tracy Chapman’s Fast Car if you need proof – vocal subtleties and hand-squeaks on guitar necks sing through.


  • TRUE HIFI COMPUTER SPEAKERS – The MM-1 brings authentic hi-fi quality sound to your desktop just because giving your computer the sound it merits
  • FIELD SWEET SPOT – The MM-1 computer sound speakers are designed to have a close field sweet spot, which means the best sound is a couple of feet from your monitor – right where you’re sitting
  • DAC FOR QUALITY SOUND – Stream sound legitimately from your computer using USB, changing the sign from computerized to simple inside. The MM-1 additionally includes an aux line-in attachment for associating other gadgets.
  • FULL-RANGE SOUND – Most computer speakers have only one drive unit for all frequencies. MM-1 has two drivers, one devoted to bass and midrange frequencies and another for treble. It sounds like a Hi-Fi speaker since it is one.
  • 2-YEAR LIMITED WARRANTY – Bowers and Wilkins’ MM1 Hi-Fi Speakers accompany a 2-year limited warranty just when bought from an approved seller, including Amazon.com
  • In vogue, compact, weighty, nitty-gritty sound
  • Expensive, coming up short when contrasted to others

B&W PV1 Subwoofer Speaker

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The B&W PV1 dynamic subwoofer won seven Hi-Fi awards in succession. Need we go on? Well, right off the bat, look at how cool it looks.

Furthermore, comprehending the brilliant circular design is for execution reasons, promising to convey “the Holy Grail of subwoofer design: profound and clean bass from a close imperceptible box”.

The PV1 utilizes two 20cm drivers in a contradicted, in-stage exhibit controlled by a 500-watt Class-D intensifier.

The outcomes are exciting: right around zero reverberation, however shocking rate and power, and a noteworthy sub that shook our reality – and our test rooms – for the best piece of 10 years.


This minimal silver circle is as outwardly capturing as you’d envision a subwoofer would ever be.

The styling isn’t just for appearance: it’s an incredible case of the structure following capacity. The announced design point was “the Holy Grail of subwoofer design: profound and clean bass from a close imperceptible box”.

While you probably won’t trust it, the circular cabinet was made for specialized, not marketing, reasons. Here’s the science bit: the smaller you make a subwoofer cabinet, the smaller the drive unit must be.

If you need to protect bass yield, you need to reimburse with expanded force and fancier drive unit innovation. However, this solitary builds the effectively impressive weights applied to your little cabinet.

The consequence is reverberation, brought about by bends of the cabinet’s structure under the air-tension burden produced by the driver’s development, and that isn’t very good for sound quality.

The organization draws analogies with jumping vessels and cleanser bubbles: the PV1’s curved shell, shaped of flimsy aluminum, is a light, enormously stiff structure that the two support and fortify itself, much like an egg.

For all intents and purposes, the methodology takes out cabinet reverberation. Thus, it sounds ‘cleaner’ than an ordinary subwoofer because the drive units commit their energy to drive air, not the cabinet.


This robust design can undoubtedly challenge the increasingly costly ‘ordinary’ subs for augmentation and speed. It’s this last aspect of the PV1’s intrigue that is maybe generally influential of all.

The B&W produces spotless, uncolored, incredibly profound bass; you’re not uncertain about the sonic expert on appearance. The sound is distrustfully noteworthy for its size.

It’s figured the main thing B&W neglected to see was the PV1’s astounding resemblance to Barnes Wallis’ Highball ricocheting bomb.

The Highball was created to decimate war vessels: Probably, the PV1 will have a correspondingly incredible effect on traditional subwoofer thinking.

If for the performance alone, it is one of the best B&W HiFi speakers.


  • DISC UNITS 2 x 200 mm (8) paper-kevlar aluminum cone / long-throw
  • 400W output power
  • Nominal power consumption 150 W
  • Stereo line (2 x RCA phono)
  • Speaker leveled
  • An Exceptional blend of intensity and speed, absolutely spotless, uncolored sound, little and dazzling
  • Maybe found unpleasant if you like large speakers

B&W Zeppelin Loudspeaker Dock System for iPod & MP3 Players

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Making an incredible-sounding iPod dock wasn’t as simple as it would sound, which made the B&W Zeppelin even more amazing.

Another striking B&W design, you expected to free a decent lot from work area space yet were then treated to a point-by-point, open sound from your midway-mounted iPod.

In what might be an indication of what might be on the horizon, B&W had effectively entered another item class with another sweet marriage of up-to-date design and sound quality.


The Zeppelin’s an honorably determined gadget runs just from the mains and signals towards extended usefulness to the extent composite and S-Video picture yields and a 3.5mm input.

The styling causes its 64cm width to appear modest, its substantial elastic plinth fortifies the impression of value while giving necessary seclusion, and the fundamental remote is palm-friendly.

Inside are an aluminum tweeter, glass-fiber midrange drivers from the all-around respected M-1 satellite speaker, and a 13cm Kevlar-strengthened subwoofer vented by two back terminating reflex ports.

Where scale, drive, and dynamism are concerned, the Zeppelin’s are as commendable as it at any point was.


If it’s generous, forcing the sound you’re after, you won’t go far as the Zeppelin sounds energetic and energizing. The B&W handles uneven beat deftly and conveys top-end percussive freshly without taking steps to spill into hardness, even at impressive volume.

At the point when volume touches on ‘extensive’, however, the brawny low frequencies (which at progressively unassuming levels are glossily coordinated into the remainder of the recurrence go) become somewhat withdrawn, leaving a little hole between the base of the midrange on the highest point of the bass data that the Zeppelin can’t neatly connect.

It’s an attribute that has been tossed into much more keen alleviation by the nature of the opposition amassed here. Something else, however, the B&W stands glad against crisp adversaries.

It makes the benefits of bigger record sizes self-evident: a 1411kbps WAV document of LCD Soundsystem’s “North American Scum” is increasingly nitty-gritty, open, and regular than the compacted proportionate.

It might be an ace of the upbeat, yet the B&W likewise has the smoothness and nuance to deal with extra, negligible chronicles without getting bored or boring.


  • An iPod dock/speaker framework that additionally can be flawlessly incorporated into your home sound system/theater framework
  • It contained two 1-inch aluminum tweeters, two 3.5-inch fiber cone mid-go drivers, and one 5-inch bass driver.
  • Utilizes Bowers and Wilkins’ best-in-class innovation to make faultless sound generation; charges iPod while docked.
  • The spring-stacked dock flexes to oblige all dockable iPod models; perfect with iPod exemplary (3G, 4G, 5G, 5.5G, 6G), iPod contact (1G, 2G), iPod nano (1G, 2G, 3G, 4G), iPhone (1G, 3G), and iPod smaller than expected
  • Using the 3.5-mm smaller-than-expected jack analog/optical digital input, different gadgets can play sound through Zeppelin.
  • The enduring appeal of the looks, robust, nitty-gritty, and fortifying sound
  • Loses a sound quality at higher volumes, needs features, incredible new adversaries

B&W MT-50 Mini Theater

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What’s more, it’s not just sound system speakers (and subs, earphones, and work area speakers…); B&W had an average run in the realm of sub-sat speaker packages back when sub-sat speaker packages were as yet a thing.

Notwithstanding not depending on the many PV1 subwoofer for its vital establishments, the MT-50 conveyed a dynamic, nitty-gritty, and superior execution that was difficult to beat for the cash for a long time.

The M-1 satellites framed a vital piece of a couple of increasingly extraordinary little B&W cinema systems, for example, the MT-30 and MT-60, which also profited from the PV1 sub.


Crisp black design, visually alluring, miniature style design despite top-notch performance


The MT-50 is deceptively small in the sense that regardless of its size, it sounds unbelievably loud with balanced equalization enough for people to wonder if something larger was playing. Indeed it is a mini theater.


  • Unique sound and a great size.
  •  Smooth and reduced, M-1 can be utilized on a rack, its committed stands, or Wall-Mounted using its swiveling ‘foot’.
  • Simple joining. Use M-1 as a couple in a little room, Add a subwoofer for increasing bass, or construct a smaller-than-usual auditorium encompasses system.
  • Large Sound in Small Places
  • Quick, tight, profound bass from an 8in driver
  • High Power 200W Class D speaker
  • Great sound despite the size, lovely design, durable
  • Maybe too loud, although adjustable

Bowers & Wilkins 685 S2 Black Loudspeaker

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You’d be unable to locate a more severe item class than these bookshelf speakers. So sticking out and commanding over a couple of years takes some doing.

Be that as it may, that is precisely what the 685 S2 speakers did following their dispatch in 2014. It was maybe nothing unexpected thinking about the nature of their ancestors, the first 685s.

Just as the now commonplace Kevlar mid/bass cone, the S2s had a metal grille over the tweeter, helping to scatter and including a level of assurance. The tweeter itself had been made progressively inflexible and decoupled from the cabinet.

Urgently, the sound delivered was powerful and robust, with deep bass and lashings of detail. Also, they demonstrated famously.


The feature demonstration here is the decoupled fortified dome tweeter. The 25mm aluminum dome in the 685 S2 is strengthened with a thicker metal ring to make the tweeter more grounded and better damped – and innovation passed on from B&W’s premium CM10 narrow floor standing speakers – and guarantees a higher level of transparency and exactness in the upper extents.

The tweeter gets together and is suspended in a ring of delicate gel, keeping it segregated from any cabinet vibrations realized by the mid-bass driver.

This arrangement denotes the first occasion when B&W has utilized such mechanical decoupling for a tweeter in a cabinet loudspeaker.

B&W has at long last concealed the delicate dome with a defensive grille work, which also assists with scattering. The 16.5cm Kevlar mid/bass driver remains generally equivalent somewhere else.

The slug-formed stage attachment of the past age is replaced with a mushroom-molded ‘dust top’ from the high-end B&W PM1 speakers, which further damps the driver down at specific frequencies.


The feature demonstration here is the decoupled fortified dome tweeter. The 25mm aluminum dome in the 685 S2 is strengthened with a thicker metal ring to make the tweeter more grounded and better damped – and innovation passed on from B&W’s premium CM10 floor standing speakers – and guarantees a higher level of transparency and exactness in the upper extents.

The tweeter gets together and is suspended in a ring of delicate gel, keeping it segregated from any cabinet vibrations realized by the mid-bass driver. This arrangement denotes the first occasion when B&W has utilized such mechanical decoupling for a tweeter in a cabinet loudspeaker.

B&W has at long last concealed the delicate dome with a defensive grille work, which also assists with scattering. The 16.5cm Kevlar mid/bass driver remains generally equivalent somewhere else.

The slug-formed stage attachment of the past age is replaced with a mushroom-molded ‘dust top’ from the high-end B&W PM1 speakers, which further damps the driver down at specific frequencies.


  • Multi-award winner
  • Shelf, wall, or bracket
  • Kevlar fabric cones
  • Cherry wood closet
  • The immense scope and brilliant elements, definitive, clear, exact and spry, profound, rich bass, punchy, refined and engaging sound, unmistakable design
  • New adversaries offer more noteworthy detail and nuance

B&W 606 Bookshelf Speaker

B&W 606 Bookshelf Speaker
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Bringing B&W and British hi-fi, straight exceptional, we have brilliant B&W 606 speakers.

They expand on accomplishing the previously mentioned 685 S2s and utilize an entire stack of innovation created across previously mentioned speakers on this page.

They utilize the organization’s currently preferred Continuum cone in a 16.5cm driver, sport a decoupled twofold dome aluminum tweeter, and have B&W’s Flowport vent.

A savvy, moderate styling has replaced the additionally striking designs of the 90s and 00s, yet the regularly class-driving sound quality remains. Playful, engaging, and splendidly adjusted.


The entirety of the speakers utilizes B&W’s most recent Continuum cone innovation, as observed on the organization’s progressively costly models, and it’s the least expensive range on which the material shows up.

This cone material replaces the notorious Kevlar of past ages, with the change being set apart by a transition to silver from yellow.

With the attractive grilles evacuated, the speakers (available in black or white) look extraordinary, and keeping in mind that B&W is a long way from alone in having the option to turn out a wonderful-looking pair of sound system speakers at this value, we do think these speakers look incredibly sharp.

There aren’t numerous hi-fi marks on the planet, not to mention the UK, with the size of the creation of Bowers and Wilkins, so it’s maybe no big surprise.

The 16.5cm Continuum bass/midrange driver is joined by a 25mm decoupled twofold dome aluminum tweeter.

Decoupling the tweeter from the front board lessens the corrupting impacts of the vibrations produced by the mid/bass unit.

Tenderly press the trim around the tweeter, and you’ll see the slight development permitted in the design.

Around the speaker’s rear, you’ll see B&W’s Flowport vent and a couple of twin banana plugs for bi-wiring.

At around 3.5kg each and standing 35cm tall, they are pretty hit against size for a couple of bookshelf speakers, and just the littlest of rooms would hamper them.

It is indeed worthy of being part of our best B&W HiFi Speakers of all time.


These B&W speakers don’t think twice. Any worries about the enthusiastic treble being a lot for delicate ears before long blurs, with the complete run-in sound choosing a spot-on sonic parity of which Simone Biles would be glad.

Instead, the fresh clarity in the treble and across the range gives the 606s genuine energy and drive contrasted with the KEF Q350s.

The 606 speakers have the B&W STAV24 S2 stands, a discretionary extra; you can set them around 60 cm from the divider.

A touch of space to move around bodes well with the ported design, yet usually, the separation will depend on the measure of room you have.

Early introductions, outwardly and sonically, are acceptable. The B&W 606 speakers convey an engaging sound.

A vivacious treble snatches your ear and gives a decent pace to the music, while notes stop and start with smart exactness, which helps keep your toes tapping.

B&Ws bass sounds more tightly and progressively savvy, at last conveying a superior adjusted sonic range.

The 606s are skilled at high and low volume, losing little of their dynamic reach and, by and large, detail when played at somebody upstairs-in-bed volume.


  •  Technical Features: Double decoupled aluminum dome / Continuous bass cone / Mid-range flow /
  •  Description: 2-way vented box system
  •  Drive units:
  • ●Φ 0.984 in (1 inch) × 1 (dome High-requirement aluminum) / Φ 6.496 in (6.5 inches) × 1 (Continuous Bass / Mid-range Cone).
  •  Frequency range: -6 dB at 40 Hz and 33 kHz
  •   Frequency response: 52 Hz ~ 28 kHz ± 3 dB
  •   Sensitivity: 88 dB SPL (2.83 Vrms / 3.3 ft)
  •  THD, harmonic distortion: 2nd and 3rd Harmony (90 dB / 3.3 ft) /
  • ● <1% 100 Hz ~ 22 kHz /
  • ● <0.5% 150 Hz = 20 kHz / Program impedance: 8 Ω
  •  Dimensions: (height) 13,583 in x (width) 7,480 in x (depth) 11,811 in cabinet only
  •  Net weight: 15.2 lbs
  •  The bracket is sold separately.
  • Keen, upscale design, splendidly adjusted sound, dynamic and on point
  • Maybe too large

B&W 607 speaker

B&W 607 speaker
B&W 607 speaker

Littler than the 606s, the 607s are the most reasonable B&W speakers in the company’s 600 Series.

Not unreasonably, they feel modest – the design is as on point as possible, fitting consistently in with the remainder of the 600 Series.

They likewise convey sound division. The exhibition is overflowing with energy and excitement, with a lot of punch and dynamism.

The sound also gives a false representation of their minute measurements: the bass is more profound and more responsive than the size would recommend; however, it never overpowers, making for a pleasantly adjusted output.

There’s also a sack of detail to get your teeth into.

B&W decoupled the tweeter from the front board, lessening the impact of vibrations from the mid/bass driver.

That makes the sound cleaner than at any time in recent memory. They’re flexible enough for practically any room in the house. Tiny, powerful, versatile… basically, these are scaled-down wonders.


The 600 Series is the most reasonable range in B&W’s index of sound system speakers, and, standing simply 30cm tall, the 607s are the littlest and most moderate good system pair in the line-up.

To those acquainted with B&W’s past 600 Series speakers, the most notable tasteful change here is the absence of outstanding yellow drivers.

Those Kevlar cones are no longer replaced by silver Continuum units initially found in the high-end 800 Series.

The one incorporated into the 607s estimates 13cm and is combined with a decoupled 25mm aluminum tweeter.

Decoupling the tweeter from the front board lessens the corrupting impacts of the vibrations of the mid/bass driver, and a delicate press around its trim shows a slight give in the design.

B&W has expelled the grille pegs from this 6th era of its 600 Series, selecting a rather attractive design.

The Flowport vent has been moved to the back to accomplish a cleaner, sleeker, generally speaking, picture. The 607s are additionally bi-writeable.


Their energy and eagerness are interminable; their point is to fulfill us as long as we continue caring for them.

Early introductions are of a generally positive treble response, quick to keep hello caps present at the front of a blend, yet the 607s have an abundance all through the register that transforms this frequently concerning trait into a positive. It exceptionally just serves to uncover precisely how glorious their feeling of timing is.

At the opposite end of the range, these stand mounters are equipped for a more profound and legitimate bass response than their minor structure would propose.

Chatters and heartbeats we may hope to be undermined with this size of a speaker are available, with the sort of tonality and lucidity delighted in somewhere else in the recurrence band.

Detail levels are also typically accepted, with that excellent equalization rock dashed with textural understanding. However, the B&W 607s’ propensity for articulation makes them stick out.

They deserve this spot on our list of best B&W HiFi speakers with such performance.


  • Sensitivity: 84dB
  •  Impedance: 8 ohms
  •  Bi-wired: Yes
  •  Max power handling: 100W |
  •  Finishes: 2
  • Dimensions (hwd): 30 x 16.5 x 20.7cm |
  •  Weight: 4.7kg
  • Dynamic, punchy tune in, on point and finely adjusted, adaptable
  • Nothing at its cost

Bowers & Wilkens Floorstanding Speakers

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The CM series has advanced as the years progressed. As a world pro-HiFi loudspeaker, Bowers and Wilkins are unquestionably a pacesetter in driving the market forward, and it has an astute capacity to discover and make quality products when it comes to loudspeakers.

New models are constantly supplanting prior ones to present designing and styling upgrades.

Along these lines, with the memory of the bureau size and powerful bass of the recently referenced CM9 crisp in our brains, we were usually energetic when the organization declared the more unimposing CM8.

Rather than two 165mm bass drivers, for instance, it utilizes two littler 130mm units. That utilization of littler bass drivers likewise allows a slimmer, progressively compact, and thus increasingly appealing and domestically adequate enclosure.

As is, for the most part (however not so much sensibly) the case, this little model is additionally less expensive.


Though the CM9 instead seems a bit larger, maybe best picked by those with huge rooms and an affinity for substantial stone, the CM8 is an excellent choice.

The thin, sharp-edged, shockingly powerful, and strong enclosure comes wearing two genuinely dim genuine wood coverings (wenge and rose nut), with white and high-shine black painted alternatives.

A formed edge grille connects through covered magnets, so there are no unattractive mounting hauls if it’s left in the carton.

The two bass drivers are reflex-stacked by most of the enclosure’s inward volume, and a port found abject at the back.

Left open, this port is tuned to around 37Hz. However, Bowers and Wilkins additionally supply a two-piece foam bung.

For all intents and purposes, the entire bung hinders the port and adequately re-tunes the enclosure to fixed box activity (with the drivers/box reverberation at 53Hz), lessening bass yield.

This alternative will probably work best if the speakers must be found near a divider.

The ‘half-bung’ alternative, expelling a foam chamber from the center of the bung and leaving only a foam sleeve, re-tunes the port to around 28Hz.


While the CM8 is neither the liveliest nor the smoothest speaker, it is, on a fundamental level, very even and conveys good deep bass by an astonishingly wide dynamic range.

The last has a lot to do with the strength of the enclosure here, helped by the steadiness of the plinth, both giving a firm, generous, and stable ‘mechanical earth’ against which the driver’s stomach can work.

That equivalent strong form not just limits bureau shading and augment the dynamic range; it likewise assumes an essential job in making acceptable out-of-the-crate sound system imaging.

The other key factor that influences here is the curiously restricted enclosure, which assists with guaranteeing a tight picture center.

Include the perception that both planning and, in general, intelligibility is additionally excellent, and you have a formula that likewise adds a proportion of straightforwardness to the soundstage, guaranteeing better than average profundity points of view.

Furthermore, the midrange is positively the CM8’s most prominent quality, consolidating smoothness, equity, and extensive delicacy, with the goal that human voices are both conceivable and expressive.

It has become something of a Bowers and Wilkins custom to fuse a level of restriction through the nearness zone. At the point when taken to boundaries, this may prompt a rather ‘shut-in’ character, yet that isn’t the situation here.

While the speaker is sure to show a small amount of restriction and positively doesn’t sound ‘forthright’ or ‘in yer face’, the top-end sound balance is quite brilliant, giving more than generous remuneration to low-level listening.


Weight: 43 pounds
Dimensions: 10 x 11.8 x 36.4 Inch
Weight Of Shipping: 43 pounds
The model number of the reviewed item: is 0714346322275

  • Predominant mid-band, fine imaging, wide dynamic range
  • nasal character to midrange, foam fittings to “seal” port don’t improve the sound, glossy silk White” finish looks like ledge Formica

B&W M-1 Mini Speaker

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When space becomes a big issue, little speakers become an unquestionable requirement. For Audiophiles, little speakers are anathema.

Material science is a cold-blooded fancy woman who severely dislikes little speakers.

They have an issue with bass, they can’t deal with larger rooms, and they, honestly, make some memories sounding anything besides little.

In any case, Bowers and Wilkins have notoriety in speaker producing for a reason – they assemble some great stuff.

So when they put out a little speaker, you realize it will sound exceptionally great. Mother Nature be damned.

The M1 speaker was propelled a few years back and was the core of the B&W Mini Theater bundles. This modest speaker has been very generally welcomed, and B&W has chosen to expand on that accomplishment by redesigning and refreshing the M1 to the M-1.

This key speaker can be utilized as every one of the five speakers in a 5.1 arrangement. It has a table-top stand that permits you to turn the speaker with the goal that it is situated on a level plane for more straightforward placement as a center channel under presentations.

Available in both matte white and black, the speaker’s internals have been redesigned.


While they despise everything that seems to be comparable to their ancestor, the M-1’s component every new driver, remembering a house-designed 1″ aluminum dome tweeter and a 4″ woven fiber cone woofer using the Anti-Resonance Plug observed initially on the high-end PM1 loudspeaker.

Externally, the speaker terminals have been overhauled, and the association with the table-top stand has been strengthened.

For those looking for expansion placement choices, B&W incorporates a divider section with every speaker, and a floor stand is available for an additional expense.

The M-1s are 8-ohm ostensible importance. They will work with pretty much any recipient/amp on the market.

They are appraised at 64 Hz – 23 kHz ±3dB on reference pivot. Since you’ll be traversing at 80 Hz, this should be a lot of bass augmentation. The M-1s are 9.8″ tall, 4.5″ wide, and 6.4″ deep.

They tip the scales at a little 5 pounds, making divider mounting a breeze. The enclosure is vented (ported), yet we’re nowhere. It could be on top (ideal for divider mounting); however, undoubtedly, it’s on the back.

Divider mounting or setting a backported speaker will expand the bass response at the same time, as a rule, to the detriment of linearity.


The best thing about this mini-theater is the sound it packs for the size it presents. Bowers and Wilkins were not playing around when they called it a mini-theater; mount these mini beauties at strategic corners of your room, and you experience how the sound permeates the environment with balanced bass.

Moreover, the mini-theater can be flipped sideways below your television screen and perform as a center speaker.


Nautilus tube stacked tweeter with aluminum dome; Woven glass fiber cone bass/midrange.
Description: 2-way vented-box framework
Drive units: 1x 25mm (1in) aluminum dome high-frequency; 1x 100mm (4in) woven glass fiber cone bass/midrange
Frequency extend: – 6dB at 55Hz and 50kHz
Frequency response: 64Hz – 23kHz ± 3dB on reference pivot

  • Portable, design and affordable
  • working as a single unit stifles performance, wall mounting not very slick.


From this painstakingly researched article, we have not only proven beyond a reasonable doubt that Bowens and Wilkins not only produce some of the best speakers in the world, which are all worth every dime of your penny.

But we have also helped you narrow down your choice should you intend to own one; picking up anyone speaker from this comprehensive list of the best B&W HiFi speakers of all time will be a well-advised decision.

Bowers and Wilkins have stood the test of time in the “speaker verse” Not only do they dole out unique designs and pay incredible attention to detail and performance, they constantly move along with the times, staying up to date according to the era.

Most speaker companies have fallen by the wayside as they could not keep up with the innovations constantly introduced into the “speak perverse” by their competition but not Bowens and Wilkins.

The Bowens and Wilkins design, production, and technical team are constantly on the grind, and we can unequivocally say that they will have more advanced speakers to blow our minds in the new decade.

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